Bill T. Jones stands out to me as a choreographer primarily because of the subject matter that he brings into his dances. He is always presenting a strong idea to his audience, just like a preacher or a philosopher would do, except that Bill does it through dance. I feel connected to his works; I feel as if the dance has something important to say. As a choreographer myself, I strive to make pieces that speak to the hearts of my audience. I want to make them feel something, whether it be happy, uncomfortable, guilty, awed, or scared. Often times though, I get apprehensive about the message I am presenting and how it could be perceived. Bill does not seem to be afraid of what he is making his audience feel. Perhaps that comes with being a successful choreographer for so many years.
All of Bill's pieces are incredibly important to both him and his public. Both him and his work are symbols of hope and activism. Through his dances he demands equality and democracy. He forces us to think about our lives and also our inevitable deaths. He brings his audience into the "real world". Nothing is held back. Nothing is sugar coated. Everything is undeniably real.
I believe that today's world needs a healthy dose of that kind of reality. Everyone is so polarized and so much is perceived to be either black or white. Good or bad. Bill's work moves past that. He dives headfirst into the gray area and forces his audience to come along for the ride. He challenges religion, politics, history. He asks questions with his choreography that most people are afraid to ask.
So this is a kind of a random question that has to do with our readings on Jones but I was wondering your opinion on it as the Jones expert this semester! So we know that Arnie Zane was the main love in Jones life, however I was curious when I read that Jones had a long term relationship with another member in his company before Zane, and after Zane's death, he has been in a relationship with someone else now for some time. From an outsider perspective, it seems that Jones feels more comfortable in a relationship, which I find ironic considering his bold and independent choreographic voice. Do you think Jones' choreographic independence comes from a place of security or insecurity?
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Nice question! I think that while Bill has had a very active romantic life, it does not come from a place of insecurity. In reading his interviews and commentaries, he makes it very clear that he is incredibly comfortable with himself and his sexuality (far more than the average individual). He sees himself as an erotic figure, and seeing as he is a very proud man, I'm sure that he indulges in any chance he gets to show and give himself to others. Artistically, he is very outspoken. I think that he is daring his audience to have a problem with him and his lifestyle.
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